Lekondo's
Ontology of Fashion Aesthetics

34 aesthetics

Clothing is expression without explanation. It influences how you're seen and how you see yourself. Patterns of taste, mood, discipline, excess, and restraint repeat across time and culture. This is our guide to making that language visible.

Back to Ontology
Click Me

Androgyny

Definition

Androgyny is a fashion aesthetic that eliminates gendered construction from clothing. The silhouettes draw from both menswear and womenswear traditions while adhering to neither. Key garments include oversized tailoring, dropped-shoulder jackets, and straight-leg trousers with minimal darting. Coco Chanel began incorporating masculine wardrobe elements into women's fashion in the 1920s. Yves Saint Laurent introduced the Le Smoking tuxedo for women in 1966. Grace Jones and Annie Lennox developed gender ambiguity as a central visual identity in the 1980s. By the 1990s, Helmut Lang was designing entire collections without gendered distinctions. The aesthetic removes body-mapping cues such as waist darts, curved seams, and shoulder padding that typically signal a garment's intended gender.

Visual Grammar

Silhouette

  • relaxed, non-body-conscious cuts
  • borrowed-from-boys proportions on all bodies
  • oversized tailoring
  • dropped shoulders obscuring natural frame
  • straight-leg trousers
  • boxy tops and jackets

Materials

  • menswear fabrics on all bodies (wool suiting, cotton shirting, twill)
  • oxford cloth
  • denim in all weights
  • leather in utilitarian rather than fetishistic applications
  • cotton poplin
  • gabardine

Construction

  • minimal darts and shaping
  • straight seams rather than curved
  • borrowed menswear details (peak lapels, french cuffs)
  • functional pockets
  • flat-front trousers
  • utilitarian hardware

Colors

  • neutral palette (black, white, grey, navy, khaki)
  • traditionally masculine colors on all bodies
  • minimal pattern, emphasis on solid colors
  • occasional borrowed prep palette (burgundy, forest green)

Footwear

  • oxford shoes and loafers
  • chelsea boots
  • minimalist sneakers
  • dr. martens and combat boots
  • brogues

Body Logic

Androgynous clothing treats the body as a neutral armature. Broad shoulders and straight lines typically read as masculine. Waist emphasis and curved seams typically read as feminine. Androgynous construction avoids both sets of cues. Dropped shoulders obscure the natural frame. Straight seams bypass the waist. Minimal darts eliminate body-contour mapping. The result is garments that fit bodies by proportion rather than by gendered pattern blocks, allowing the same piece to work across different body types without alteration.

Exemplars

  • Helmut Lang1990sIn the 1990s, Lang’s minimalist tailoring and styling often blurred menswear/womenswear signals—lean silhouettes, utilitarian details, and a cool, unisex-coded restraint that helped normalize gender-ambiguous dressing in high fashion.
  • Grace Jones1980sCombined sharp tailoring with avant-garde presentation. Her visual identity throughout the 1980s centered on gender ambiguity expressed through structured suiting and sculptural silhouettes.
  • Tilda SwintonRegularly wears androgynous tailoring on red carpets and in editorial work. Her public wardrobe consistently demonstrates gender-neutral elegance through oversized suiting, clean lines, and minimal ornamentation.

Timeline

  • 1920s-30sChanel introduced masculine elements into women's fashion, including jersey fabrics and trouser silhouettes. Marlene Dietrich wore men's suits on screen, generating public controversy that doubled as publicity.
  • 1960s-70sYves Saint Laurent debuted the Le Smoking tuxedo for women in 1966. Glam rock carried gender ambiguity from the runway to the stage, with David Bowie making androgynous presentation a defining element of rock performance.
  • 1980sPower dressing adopted masculine tailoring structures, particularly broad-shouldered jackets and structured suiting. Grace Jones and Annie Lennox developed androgynous style as a confrontational visual identity in music and fashion.
  • 1990sHelmut Lang and the Antwerp Six designed collections without gendered distinctions. Gender-neutral construction became an established design philosophy in European fashion.
  • 2010s-presentGrowing visibility of non-binary identities brought gender-neutral dressing into everyday wardrobes. Dropped shoulders and straight-cut trousers appeared across all sections of retail floors. Retailers including Zara, H&M, and COS introduced dedicated unisex lines.

Brands

  • Helmut Lang
  • Jil Sander
  • COS
  • Lemaire
  • Margaret Howell
  • Toogood
  • Studio Nicholson
  • Maison Margiela
  • Ann Demeulemeester

References

  • Arnold, Rebecca. Fashion, Desire and Anxiety: Image and Morality in the 20th Century. Rutgers University Press, 2001.
  • Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. Routledge, 1990.
  • Garber, Marjorie. Vested Interests: Cross-Dressing and Cultural Anxiety. Routledge, 1992.
Download on the App StoreGet it on Google Play